Furthermore, the solo albums only made them better MCs. I think the jump, emceeing wise, from 36 Chambers to Wu-Tang Forever was in-part due to the solos. It gave them a comfortable space to build their identity and sharpen their skills.

Anyways, Raekwon offers an interesting take that I’ve never heard before. Check it out…

And this is the true return of Straight Gangsterism. I’ve been waiting for the right moment to bring the site back and this is the perfect one.D-Risha and Purple Bastard make unique, progressive, high quality music that the world needs to be exposed to. While my site’s focus will remain music, I also plan to expose and comment on a variety of interesting art forms as well as social issues.

WE’RE BACK!

Peace

New Orleans MC and former No Limit Soldier Tre-8 passed away from injuries sustained in a car accident on May 28, 2011. My condolences go out to his loved ones and fans. Read more here.

Peace

Instrumental duo Blue Sky Black Death dropped this incredible remix of UGK’s “One Day” shortly after Pimp died. Peace to Steady Bloggin for putting me on to this.

-Langston

I’m a little late, but go check out Kashflow’s UFO (Ultimately Fly Object) mixtape. Kashflow is a dope artist out of New Orleans, LA, ready to do big things in the game. Check out his site here.

Download: http://www.zshare.net/download/75166213156c1981/

Restructuring the site. Be back soon.

-Str8 G

97.9 interviews Master P, who discusses his brother C-Murder’s current legal situation. Later, C-Murder called into the station to discuss his feelings about his brother. I have to side with P here, but I hope they resolve their issues.

Check out my previous coverage of C’s brushes with the law.

Peace

Bad Brains “Band in DC” Live at CBGB 1982

Peace

Swimming these academic waters is dangerous…

This is pretty far out of the scope about my blog, but I feel the need to speak on it a little. That being said, I won’t spend too much time on this bullshit.

Monday, I am scheduled to give my bi-annual lecture on stepping in an United States folklore class at Indiana University. For those that don’t know, I am a member of a Black Greek organization (Blu Phi!!!) and did step in my undergraduate days. It just so happens that I will be speaking on this phenomenon a week after a white sorority, Zeta Tau Alpha, won the grand prize at the Sprite Step Off Competition in Atlanta. The results upset many Blacks who felt that the runner up team, Alpha Kappa Alpha – Tau chapter, were more deserving and only lost due to racial politics. Many feared that one of their beloved cultural productions was being co-opted and even accused Sprite of straight racism.

Ok. I am not going to spend any time discussing who should have won the competition. I’ve watched both performances and they looked about the same to me. What really concerns me is the sudden backlash against Sprite. I had issues with this competition from the very beginning. I saw it as another example of one of our sacred traditions being commodified and mass-mediated by corporate America. I feared that it would lead to us losing control of it. However, the prize money was huge, so how could I really tell an organization not to participate? If I was a broke-ass undergrad, I probably would have as well. But, I would have been aware of the implications.

Look, our Divine 9 organizations were cool with selling-out our traditions and kissing Sprite’s ass as long as the money was coming in. As soon as  they felt short-changed, as the AKAs did, they starting crying foul. You can’t have it both ways. By relinquishing the cultural rights to this tradition, which we did through our participation and support, we opened the door for outsiders to step in and establish themselves within it. Actually, because this was a Sprite production, the labels of “insiders” and “outsiders” were skewed or even reversed. If there were any “outsiders,” it was the Divine 9, as ZTA holds more of a kinship with Sprite in terms of power. Stepping left our control and became part of the established American power relations which usually results with us being dominated (or losing a stepshow).

Lets be real. None of our organizations were in the show to uphold heritage. It was about money. I’ve never heard of a sorority having a member of a fraternity as their step-master. Stepping is supposed to be inextricably tied to an organizations history, icons, rituals, and identity. By having a non-member of your org play the role of step-master, you’re placing your heritage in an outsiders hands. This case is especially disheartening because, at least to me, it makes these girls appear to lack the ability to lead themselves. It looks like the stereotypical case of helpless women in need of male aid in order to achieve their goals. I guess when money is involved, though, all sense of pride goes out of the window. You do whatever it takes to fill up your bank accounts, even if that means undermining and dismissing your organization’s fundamental purposes.

Sprite ultimately cowered under pressure and used a bullshit excuse to make the AKAs co-champions. I guess squashing all the negative press was worth the extra $100,000 in pocket change. Congratulations to Zeta Tau Alpha from the University of Arkansas and Indiana University’s Alpha Kappa Alpha. I hope this serves as a lesson of what can happen when you place your heritage in the marketplace.

Str8 G

Z-Ro “God in Me” from Relvis Presley (2009)

Now, I’m definitely not into gospel music. Outside of my ethnomusicology classes, I know very little about the genre. I must say, however, that Mary Mary’s “God In Me” is one of the hottest songs period from last year and definitely more than worthy of the Grammy it received. In fact, in an ideal world, it would have been a contender for “record of the year.” Essentially, on the well written track, the two vocalists credit the presence of god in their lives with the confidence and beauty that shines from them. Great song about the power of the Holy Spirit.

That being said, and I may go below for this, but I can’t stop listening to Z-Ro’s freestyle over this beat. Titled “God In Me” and appearing on his recent freestyle cd, Relvis Presley, this flow incorporates what makes Z-Ro an intriguing artist, the inner struggle between what he knows is right and what he knows is wrong. The struggle between Good and Evil. Though he clearly has a strong faith in the Christian God (he even mentions this in the freestyle), it seems that this God is at war with a Bling-God that exists in the form of money, jewelry, cars, etc. The Christian God acts as a vehicle for these forms of social capital, the sources for his outward confidence.  Anyways, this is really a generic freestyle, but I’m fascinated by the presence of displaced-deities in hip hop. Not to get too much into my research, but it’s a clear sign of the “death” of the relationship between traditional religion and young black men. Check out the freestyle and tell me what you think.

Peace